{"id":3100,"date":"2025-03-26T16:23:00","date_gmt":"2025-03-26T16:23:00","guid":{"rendered":"https:\/\/info-eforie.ro\/index.php\/2025\/03\/26\/primul-film-inspirat-de-cazul-crimelor-de-la-caracal-spunem-ca-purtam-credinta-in-frunte-dar-uitam-sa-iubim-uitam-sa-ajutam\/"},"modified":"2025-03-26T16:23:00","modified_gmt":"2025-03-26T16:23:00","slug":"primul-film-inspirat-de-cazul-crimelor-de-la-caracal-spunem-ca-purtam-credinta-in-frunte-dar-uitam-sa-iubim-uitam-sa-ajutam","status":"publish","type":"post","link":"https:\/\/info-eforie.ro\/index.php\/2025\/03\/26\/primul-film-inspirat-de-cazul-crimelor-de-la-caracal-spunem-ca-purtam-credinta-in-frunte-dar-uitam-sa-iubim-uitam-sa-ajutam\/","title":{"rendered":"Primul film inspirat de cazul crimelor de la Caracal: \u201eSpunem c\u0103 purt\u0103m credin\u021ba \u00een frunte, dar uit\u0103m s\u0103 iubim, uit\u0103m s\u0103 ajut\u0103m\u201d"},"content":{"rendered":"<div>\n<p>De la \u00eenceputul lunii<br \/>\naprilie, \u00een cinematografele din Rom\u00e2nia poate fi vizionat<br \/>\n\u201eAlexandra\u201d, film bazat \u00een parte, pe cazul real al Alexandrei<br \/>\nM\u0103ce\u0219anu, feti\u021ba de 15 ani din Caracal, r\u0103pit\u0103 \u00een vara lui 2019<br \/>\n\u0219i apoi ucis\u0103.<\/p>\n<div><picture loading=\"eager\" width=\"1400\" height=\"750\" alt=\"Filmul Alexandra va fi \u00een cinematografe din aprilie 2025 FOTO Diana Angelson\"><source type=\"image\/webp\"  media=\"(min-width: 1400px)\"><source type=\"image\/webp\"  media=\"(min-width: 1000px)\"><source type=\"image\/webp\"  media=\"(min-width: 700px)\"><source type=\"image\/jpeg\"  media=\"(min-width: 1400px)\"><source type=\"image\/jpeg\"  media=\"(min-width: 1000px)\"><source type=\"image\/jpeg\"  media=\"(min-width: 700px)\"><img fetchpriority=\"high\" decoding=\"async\" src=\"https:\/\/cdn.adh.reperio.news\/image-d\/d3604df2-6644-4edb-a2ef-eb9f4f718738\/index.jpeg?p=a%3D1%26co%3D1.05%26w%3D700%26h%3D750%26r%3Dcontain%26f%3Dwebp\" alt=\"Filmul Alexandra va fi \u00een cinematografe din aprilie 2025 FOTO Diana Angelson\" width=\"1400\" height=\"750\" loading=\"eager\"><\/picture>\n<p>Filmul Alexandra va fi \u00een cinematografe din aprilie 2025 FOTO Diana Angelson<\/p>\n<\/div>\n<p>\u201eAlexandra\u201d este prima<br \/>\npelicul\u0103 inspirat\u0103 de teribilul caz al crimelor de la Caracal din<br \/>\n2019.\n<\/p>\n<p>\u00cen film, apelul la 112 al<br \/>\nAlexandrei nu r\u0103m\u00e2ne f\u0103r\u0103 urm\u0103ri, a\u0219a cum s-a \u00eent\u00e2mplat \u00een<br \/>\nrealitate. Angela este dispecerul care r\u0103spunde apelului disperat al<br \/>\nAlexandrei. \u00cens\u0103 pentru ca\u0306 i\u0302n timpul apelului de urgent\u0326a\u0306<br \/>\n\u00ee\u0219i d\u0103 seama ca\u0306 echipajele de polit\u0326ie nu vor putea ajunge la<br \/>\ntimp, Angela \u00ee\u0219i p\u0103r\u0103se\u0219te postul, pleac\u0103 singura\u0306 spre<br \/>\nta\u0302na\u0306ra\u0306 s\u0326i reu\u0219e\u0219te sa\u0306 o elibereze. Numai c\u0103 Angela<br \/>\ndispare fa\u0306ra\u0306 urma\u0306. \u00cens\u0103 c\u00e2nd adev\u0103rul este dezv\u0103luit,<br \/>\ntotul se schimb\u0103 pentru totdeauna.<\/p>\n<p>Artizanii filmului<br \/>\n\u201eAlexandra\u201d sunt doi talenta\u021bi cinea\u0219ti rom\u00e2ni stabili\u021bi de<br \/>\nmai mul\u021bi ani \u00een America \u0219i care au fost impresiona\u021bi de cazul<br \/>\nteribil de la Caracal din 2019.<\/p>\n<p>Originar\u0103 din Ploie\u0219ti,<br \/>\nDiana Angelson Busuioc este regizorul filmului, av\u00e2nd \u0219i rolul<br \/>\nprincipal. Diana a studiat UNATC, Teologie \u0219i Limbi Str\u0103ine \u00een<br \/>\nRom\u00e2nia, a visat s\u0103 ajung\u0103 s\u0103 lucreze \u00een America \u00een industria<br \/>\nfilmului \u0219i a reu\u0219it.<\/p>\n<p>N\u0103scut la Pite\u0219ti,<br \/>\nMarius Neac\u0219u este stabilit de 12 ani \u00een Statele Unite \u0219i a fost<br \/>\ndirectorul de imagine \u0219i editorul filmului \u201eAlexandra\u201d, av\u00e2nd<br \/>\nla activ colabor\u0103ri la numeroase filme, scurtmetraje \u0219i documentare<br \/>\nrealizate \u00een Rom\u00e2nia \u0219i peste Ocean. \u00cenainte de a se stabili \u00een<br \/>\nSUA, Marius Neac\u0219u, care a absolvit UNATC Bucure\u0219ti, a lucrat mai<br \/>\nmul\u021bi ani \u00een televiziunile din Rom\u00e2nia.<\/p>\n<p>Trebuie spus c\u0103 Diana<br \/>\nAngelson Busuioc \u0219i Marius Neac\u0219u au mai colaborat la un alt film<br \/>\nemo\u021bionant. Este vorba de pelicula \u201eArmenia, my love\u201d (2016),<br \/>\ninspirat de genocidul asupra armenilor.\n<\/p>\n<h2>\u201eMi-am spus c\u0103<br \/>\ntrebuie s\u0103 fac ceva pentru Alexandra\u201d<\/h2>\n<p>Alexandra M\u0103ce\u0219anu a<br \/>\napelat serviciul de urgen\u021b\u0103 112 de 3 ori \u00een ziua de 25 iulie 2019,<br \/>\nla ora 11:05, reclam\u00e2nd c\u0103 a fost r\u0103pit\u0103, sechestrat\u0103 \u0219i<br \/>\nviolat\u0103 \u00eentr-o cas\u0103 din Caracal. De-a lungul \u00eentregii zile,<br \/>\nPoli\u021bia a \u00eencercat s\u0103 identifice locul \u00een care se afla Alexandra,<br \/>\n\u00eens\u0103 a reu\u0219it acest lucru abia \u00een cursul nop\u021bii urm\u0103toare \u0219i a<br \/>\nputut executa un mandat de perchezi\u021bie abia a doua zi la ora 6. Proprietarul imobilului<br \/>\nrespectiv, Gheorghe Dinc\u0103, a fost arestat, acesta recunosc\u00e2nd c\u0103 a ucis-o at\u00e2t pe<br \/>\nea, c\u00e2t \u0219i pe Luiza Melencu, o alt\u0103 t\u00e2n\u0103r\u0103 pe care o r\u0103pise. Ulterior, a negat comiterea crimelor. Gheorghe Dinc\u0103 a fost condamnat definitiv la 30 de ani de \u00eenchisoare.<\/p>\n<p><a href=\"https:\/\/adevarul.ro\/stiri-interne\/evenimente\/expertii-fbi-despre-dinca-daca-nu-ar-fi-fost-1995808.html\">Gestionarea dezastruoas\u0103<\/a><br \/>\na cazului a st\u00e2rnit revolt\u0103 public\u0103 \u00een Rom\u00e2nia \u0219i a multiple<br \/>\ndemisii sau demiteri:  ministrul Afacerilor Interne &#8211; Nicolae Moga;<br \/>\n\u0219eful Poli\u021biei Rom\u00e2ne &#8211; Ioan Buda; prefectului jude\u021bului Olt &#8211;<br \/>\nPetre Neac\u0219u; directorul Serviciului de Telecomunica\u021bii Speciale &#8211;<br \/>\nIonel-Sorinel Vasilca.\n<\/p>\n<p>\u201e<i>V\u0103 rog sta\u021bi cu mine<br \/>\nla telefon c\u0103 \u00eemi este fric\u0103\u201d<\/i>, i-a spus Alexandra operatoarei de<br \/>\nla 112. Numai c\u0103 aceasta din urm\u0103 i-a r\u0103spuns f\u0103r\u0103 pic de<br \/>\nempatie \u0219i umanitate: \u201e<i>Nu pot s\u0103 stau \u00een telefon domni\u0219oar\u0103 c\u0103<br \/>\navem \u0219i alte apeluri<\/i>&#8222;.<\/p>\n<p>Conversa\u021bia Alexandrei cu<br \/>\ncei de la 112 a demonstrat t\u0103ria de care a dat dovad\u0103 t\u00e2n\u0103ra<br \/>\n\u00eentr-o situa\u0163ie critic\u0103. Nu a fost \u00eens\u0103 de-ajuns deoarece, \u00een<br \/>\nafar\u0103 de un criminal, a avut de \u00eenfruntat \u015fi doi operatori de la<br \/>\nSTS \u015fi doi poli\u0163i\u015fti care au \u00eendemnat-o s\u0103 \u00eenchid\u0103 telefonul,<br \/>\nc\u00e2nd Alexandra cerea ajutor.<\/p>\n<p>\u201eAdev\u0103rul\u201d a vorbit<br \/>\ncu Diana Angelson \u0219i Marius Neac\u0219u despre filmul \u201eAlexandra\u201d,<br \/>\ninspirat din cazul teribil de la Caracal ce a emo\u021bionat \u0219i revoltat<br \/>\no \u021bar\u0103 \u00eentreag\u0103.\n<\/p>\n<p>Drumul de la idee p\u00e2n\u0103<br \/>\nla film nu a fost u\u0219or.<\/p>\n<p><i>\u201e\u00cen 2019, eram \u00een<br \/>\nRom\u00e2nia cu feti\u021ba mea, care avea 7 ani, \u0219i am auzit \u0219i eu, ca<br \/>\nto\u021bi ceilal\u021bi, ce s-a \u00eent\u00e2mplat cu Alexandra. \u0218i m-a afectat,<br \/>\nmai ales ca p\u0103rinte, \u00eenc\u00e2t am spus c\u0103 eu voi face un film dedicat<br \/>\nfeti\u021bei acesteia. A urmat problema cu pandemia \u0219i totul p\u0103rea a\u0219a,<br \/>\n\u00een aer, \u0219i p\u0103rea totul foarte greu. Dar mi-a r\u0103mas \u00een minte c\u0103<br \/>\neu am promis asta. \u0218i \u00een 2022 am hot\u0103r\u00e2t c\u0103 eu merg \u00een Rom\u00e2nia<br \/>\n\u0219i fac filmul. \u0218i toat\u0103 lumea mi-a spus c\u0103 sunt absolut nebun\u0103,<br \/>\nc\u0103 cum s\u0103 faci, c\u0103 nu \u0219tii, c\u0103 n-ai actor, c\u0103 n-ai nimic, c\u0103<br \/>\nnu e\u0219ti preg\u0103tit\u0103. \u0218i am spus, nu, eu trebuie s\u0103 fac filmul \u0103sta<br \/>\n\u0219i se va face. Totul a p\u0103rut absolut imposibil \u0219i nebunesc. \u0218i de<br \/>\nla aceast\u0103 nebunie, c\u00e2nd i-am spus c\u0103 eu trebuie s\u0103 fac asta<br \/>\npentru Alexandra, totul a devenit realitate. S-au legat toate.<br \/>\nToate s-au legat, toat\u0103 lumea, deci totul, totul, totul. Un exemplu:<br \/>\n\u00eentr-o diminea\u021b\u0103, \u00een pia\u021ba Lahovari, nu-mi ie\u0219ise permisul s\u0103<br \/>\nfilmez, \u0219i eu m\u0103 g\u00e2ndeam cum o s\u0103 filmez eu la 7.30 diminea\u021ba,<br \/>\n8, \u00een pia\u021b\u0103, s\u0103 aduc o ma\u0219in\u0103, s\u0103 o parchez, s\u0103 aduc reporter<br \/>\n\u0219i s\u0103 filmez scena. La ora 7.30 fix s-au eliberat dou\u0103 locuri de<br \/>\nparcare\u201d<\/i>, poveste\u0219te Diana Angelson Busuioc.<\/p>\n<div><picture loading=\"lazy\" width=\"1400\" height=\"750\" alt=\"Regizoarea Diana Angelson \u0219i directorul de imagine Marius Neac\u0219u FOTO arhiva personal\u0103\"><source type=\"image\/webp\"  media=\"(min-width: 1400px)\"><source type=\"image\/webp\"  media=\"(min-width: 1000px)\"><source type=\"image\/webp\"  media=\"(min-width: 700px)\"><source type=\"image\/jpeg\"  media=\"(min-width: 1400px)\"><source type=\"image\/jpeg\"  media=\"(min-width: 1000px)\"><source type=\"image\/jpeg\"  media=\"(min-width: 700px)\"><img decoding=\"async\" src=\"https:\/\/cdn.adh.reperio.news\/image-3\/3d833b1a-0bc9-41c4-bb9f-2b3a5ece2d23\/index.jpeg?p=a%3D1%26co%3D1.05%26w%3D700%26h%3D750%26r%3Dcontain%26f%3Dwebp\" alt=\"Regizoarea Diana Angelson \u0219i directorul de imagine Marius Neac\u0219u FOTO arhiva personal\u0103\" width=\"1400\" height=\"750\" loading=\"lazy\"><\/picture>\n<p>Regizoarea Diana Angelson \u0219i directorul de imagine Marius Neac\u0219u FOTO arhiva personal\u0103<\/p>\n<\/div>\n<p>Regizoarea filmului<br \/>\n\u201eAlexandra\u201d a povesit \u0219i ce a marcat-o cel mai mult legat de<br \/>\npovestea Alexandrei, victima criminalului din Caracal.<\/p>\n<p><i>\u201eM-a marcat c\u0103 o feti\u021b\u0103<br \/>\na sunat la 112 \u0219i-a pl\u00e2ns c\u0103 cineva o omoar\u0103. \u0218i oamenii nu s-au<br \/>\nrepezit s\u0103 o salveze. C\u0103 \u00een zilele noastre, o feti\u021b\u0103 poate s\u0103<br \/>\nsune \u0219i s\u0103 nu zboare nimeni c\u0103tre ea&#8230; O prieten\u0103 de-ale mele, aici \u00een<br \/>\nAmerica, este operatoare la 911. \u0218i \u00eemi spunea c\u0103 ea ajut\u0103 pe<br \/>\ntoat\u0103 lumea. Eu nu vreau s\u0103 lovesc \u00een operatoarea de la STS, \u00een<br \/>\npoli\u021bi\u0219ti, \u00een autorit\u0103\u021bi. Filmul are ca mesaj c\u0103 to\u021bi, to\u021bi<br \/>\nsuntem unul. \u0218i to\u021bi suntem responsabili. Pentru c\u0103 cu noi to\u021bi<br \/>\nca popor s-a \u00eent\u00e2mplat ceva. \u0218i a\u0219a cum a fost operatoarea asta,<br \/>\na\u0219a cum a fost poli\u021bistul, a\u0219a suntem to\u021bi. To\u021bi \u00een anumite<br \/>\ncircumstan\u021be. E \u0219i o lips\u0103 de empatie acut\u0103, \u0219i un egoism, e<br \/>\ngeneralizat. Spunem c\u0103 purt\u0103m credin\u021ba \u00een frunte, dar uit\u0103m de<br \/>\nceilal\u021bi, uit\u0103m s\u0103 iubim, uit\u0103m s\u0103 ajut\u0103m. Anca Cernea,<br \/>\nprietena mea care a f\u0103cut costumele, mi-a spus c\u0103 sper\u0103 s\u0103 nu las<br \/>\noamenii cu sufletul distrus dup\u0103 filmul \u0103sta. Nu, eu vreau ca<br \/>\noamenii dup\u0103 filmul \u0103sta s\u0103 se g\u00e2ndeasc\u0103 profund \u0219i s\u0103 se<br \/>\napropie unii de al\u021bii \u0219i s\u0103 se-ntoarc\u0103 la Dumnezeu. Filmul nu<br \/>\neste povestea Alexandrei, este dedicat Alexandrei\u201d<\/i>, m\u0103rturise\u0219te<br \/>\nDiana Angelson Busuioc.\n<\/p>\n<p>Subtitlul filmului este<br \/>\n\u201eCum de l-a\u021bi uitat pe Dumnezeu?\u201d Ini\u021bial titlul era \u201eMi-e<br \/>\ndor de tine, Alexandra\u201d. \u00cen cele din urm\u0103, titlul a r\u0103mas<br \/>\n\u201eAlexandra\u201d, pentru c\u0103 este mai puternic.<\/p>\n<div data-props=\"%7B%22data%22%3A%7B%22images%22%3A%5B%7B%22animated%22%3A0%2C%22created_at%22%3A%222025-03-25T12%3A59%3A07.000Z%22%2C%22created_by%22%3A110%2C%22entity_type%22%3A%22media%22%2C%22extension%22%3A%22jpeg%22%2C%22id%22%3A%22f68999cb-d333-4763-8385-399f526ae48e%22%2C%22origin_duration%22%3Anull%2C%22origin_hash%22%3A%222e5f69548acdce168c62fc86489e88719d107fa1%22%2C%22origin_height%22%3A1600%2C%22origin_name%22%3A%22secvente%20filmari%20Alexandra%2004%20FOTO%20Diana%20Angelson.jpeg%22%2C%22origin_size%22%3A290193%2C%22origin_width%22%3A1200%2C%22path%22%3A%22image-f%2Ff68999cb-d333-4763-8385-399f526ae48e%2Findex.jpeg%22%2C%22prevent_prune%22%3A0%2C%22published%22%3A0%2C%22restrict_domains%22%3Anull%2C%22status%22%3A%22ready%22%2C%22title%22%3A%22secvente%20filmari%20Alexandra%2004%20FOTO%20Diana%20Angelson%20jpeg%22%2C%22type%22%3A%22image%22%2C%22updated_at%22%3A%222025-03-25T12%3A59%3A07.000Z%22%2C%22url%22%3A%22https%3A%2F%2Fcdn.adh.reperio.news%2Fimage-f%2Ff68999cb-d333-4763-8385-399f526ae48e%2Findex.jpeg%22%2C%22video_raw%22%3Anull%7D%2C%7B%22animated%22%3A0%2C%22created_at%22%3A%222025-03-25T12%3A59%3A07.000Z%22%2C%22created_by%22%3A110%2C%22entity_type%22%3A%22media%22%2C%22extension%22%3A%22jpeg%22%2C%22id%22%3A%2276e88197-6fb2-49d4-a039-210ff3069597%22%2C%22origin_duration%22%3Anull%2C%22origin_hash%22%3A%22cc9e6c4a3ea9251cfa5fa920016d9ada628e01ca%22%2C%22origin_height%22%3A576%2C%22origin_name%22%3A%22secvente%20filmari%20Alexandra%20FOTO%20Diana%20Angelson.jpeg%22%2C%22origin_size%22%3A162557%2C%22origin_width%22%3A1024%2C%22path%22%3A%22image-7%2F76e88197-6fb2-49d4-a039-210ff3069597%2Findex.jpeg%22%2C%22prevent_prune%22%3A0%2C%22published%22%3A0%2C%22restrict_domains%22%3Anull%2C%22status%22%3A%22ready%22%2C%22title%22%3A%22secvente%20filmari%20Alexandra%20FOTO%20Diana%20Angelson%20jpeg%22%2C%22type%22%3A%22image%22%2C%22updated_at%22%3A%222025-03-25T12%3A59%3A07.000Z%22%2C%22url%22%3A%22https%3A%2F%2Fcdn.adh.reperio.news%2Fimage-7%2F76e88197-6fb2-49d4-a039-210ff3069597%2Findex.jpeg%22%2C%22video_raw%22%3Anull%7D%2C%7B%22animated%22%3A0%2C%22created_at%22%3A%222025-03-25T12%3A59%3A06.000Z%22%2C%22created_by%22%3A110%2C%22entity_type%22%3A%22media%22%2C%22extension%22%3A%22jpeg%22%2C%22id%22%3A%226d509998-4817-4f83-b899-32476284a5e6%22%2C%22origin_duration%22%3Anull%2C%22origin_hash%22%3A%2245b96cabee6db28ff90ab5e37c7563fa1dfaee74%22%2C%22origin_height%22%3A1600%2C%22origin_name%22%3A%22secvente%20filmari%20Alexandra%2002%20FOTO%20Marius%20Neacsu.jpeg%22%2C%22origin_size%22%3A179094%2C%22origin_width%22%3A900%2C%22path%22%3A%22image-6%2F6d509998-4817-4f83-b899-32476284a5e6%2Findex.jpeg%22%2C%22prevent_prune%22%3A0%2C%22published%22%3A0%2C%22restrict_domains%22%3Anull%2C%22status%22%3A%22ready%22%2C%22title%22%3A%22secvente%20filmari%20Alexandra%2002%20FOTO%20Marius%20Neacsu%20jpeg%22%2C%22type%22%3A%22image%22%2C%22updated_at%22%3A%222025-03-25T12%3A59%3A06.000Z%22%2C%22url%22%3A%22https%3A%2F%2Fcdn.adh.reperio.news%2Fimage-6%2F6d509998-4817-4f83-b899-32476284a5e6%2Findex.jpeg%22%2C%22video_raw%22%3Anull%7D%2C%7B%22animated%22%3A0%2C%22created_at%22%3A%222025-03-25T12%3A59%3A06.000Z%22%2C%22created_by%22%3A110%2C%22entity_type%22%3A%22media%22%2C%22extension%22%3A%22jpeg%22%2C%22id%22%3A%225068b341-3b8d-4d27-b894-fe1a3a5c816c%22%2C%22origin_duration%22%3Anull%2C%22origin_hash%22%3A%22a617a12d896c1832e8da87a5ea809e547164b532%22%2C%22origin_height%22%3A1200%2C%22origin_name%22%3A%22secvente%20filmari%20Alexandra%2001%20FOTO%20Diana%20Angelson.jpeg%22%2C%22origin_size%22%3A322173%2C%22origin_width%22%3A1600%2C%22path%22%3A%22image-5%2F5068b341-3b8d-4d27-b894-fe1a3a5c816c%2Findex.jpeg%22%2C%22prevent_prune%22%3A0%2C%22published%22%3A0%2C%22restrict_domains%22%3Anull%2C%22status%22%3A%22ready%22%2C%22title%22%3A%22secvente%20filmari%20Alexandra%2001%20FOTO%20Diana%20Angelson%20jpeg%22%2C%22type%22%3A%22image%22%2C%22updated_at%22%3A%222025-03-25T12%3A59%3A06.000Z%22%2C%22url%22%3A%22https%3A%2F%2Fcdn.adh.reperio.news%2Fimage-5%2F5068b341-3b8d-4d27-b894-fe1a3a5c816c%2Findex.jpeg%22%2C%22video_raw%22%3Anull%7D%2C%7B%22animated%22%3A0%2C%22created_at%22%3A%222025-03-25T12%3A59%3A04.000Z%22%2C%22created_by%22%3A110%2C%22entity_type%22%3A%22media%22%2C%22extension%22%3A%22jpeg%22%2C%22id%22%3A%22b63c47ad-1f20-48af-917b-e9de2d20c5fd%22%2C%22origin_duration%22%3Anull%2C%22origin_hash%22%3A%2224653b256321ec2c0237a19922f0bca3c8abdefd%22%2C%22origin_height%22%3A1200%2C%22origin_name%22%3A%22Diana%20Angelson%20si%20Marius%20Neacsu%20la%20filmari%20foto%20arhiva%20personala.jpeg%22%2C%22origin_size%22%3A136630%2C%22origin_width%22%3A1600%2C%22path%22%3A%22image-b%2Fb63c47ad-1f20-48af-917b-e9de2d20c5fd%2Findex.jpeg%22%2C%22prevent_prune%22%3A0%2C%22published%22%3A0%2C%22restrict_domains%22%3Anull%2C%22status%22%3A%22ready%22%2C%22title%22%3A%22Diana%20Angelson%20si%20Marius%20Neacsu%20la%20filmari%20foto%20arhiva%20personala%20jpeg%22%2C%22type%22%3A%22image%22%2C%22updated_at%22%3A%222025-03-25T12%3A59%3A05.000Z%22%2C%22url%22%3A%22https%3A%2F%2Fcdn.adh.reperio.news%2Fimage-b%2Fb63c47ad-1f20-48af-917b-e9de2d20c5fd%2Findex.jpeg%22%2C%22video_raw%22%3Anull%7D%2C%7B%22animated%22%3A0%2C%22created_at%22%3A%222025-03-25T12%3A59%3A04.000Z%22%2C%22created_by%22%3A110%2C%22entity_type%22%3A%22media%22%2C%22extension%22%3A%22jpeg%22%2C%22id%22%3A%221bf9d8fa-8c98-4b80-b9c7-9f3444272cb6%22%2C%22origin_duration%22%3Anull%2C%22origin_hash%22%3A%227d36253a084b5c8697b02dc5473e50f0eac76e3f%22%2C%22origin_height%22%3A1600%2C%22origin_name%22%3A%22afis%20film%20alexandra.jpeg%22%2C%22origin_size%22%3A269615%2C%22origin_width%22%3A1080%2C%22path%22%3A%22image-1%2F1bf9d8fa-8c98-4b80-b9c7-9f3444272cb6%2Findex.jpeg%22%2C%22prevent_prune%22%3A0%2C%22published%22%3A0%2C%22restrict_domains%22%3Anull%2C%22status%22%3A%22ready%22%2C%22title%22%3A%22afis%20film%20alexandra%20jpeg%22%2C%22type%22%3A%22image%22%2C%22updated_at%22%3A%222025-03-25T12%3A59%3A05.000Z%22%2C%22url%22%3A%22https%3A%2F%2Fcdn.adh.reperio.news%2Fimage-1%2F1bf9d8fa-8c98-4b80-b9c7-9f3444272cb6%2Findex.jpeg%22%2C%22video_raw%22%3Anull%7D%5D%7D%2C%22id%22%3A%22BCzoUl7_v2%22%2C%22type%22%3A%22imageGallery%22%2C%22lines%22%3A10%2C%22linesAbove%22%3A149%2C%22index%22%3A20%2C%22paragraphsAbove%22%3A17%2C%22percentage%22%3A0.6681614349775785%2C%22linesBellow%22%3A74%2C%22insert%22%3A%7B%22type%22%3A%22ad%22%2C%22props%22%3A%7B%22id%22%3A%22%2F424366728%2FAdevarul2022%2FAdevarul_HalfPage%22%2C%22type%22%3A%22AdPosition%22%2C%22data%22%3A%7B%22for_mobile%22%3Atrue%2C%22for_desktop%22%3Atrue%2C%22custom_fields%22%3A%7B%22google_ad%22%3A%7B%22adUnitPath%22%3A%22%2F424366728%2FAdevarul2022%2FAdevarul_HalfPage%22%2C%22type%22%3A%22in_article_half_page%22%7D%7D%7D%7D%7D%7D\" data-context=\"%7B%22parentBlockColumnCount%22%3A%7B%22value%22%3A0%2C%22type%22%3A%22store%2Freadable%22%7D%2C%22parentBlockBackgroundColor%22%3A%7B%22type%22%3A%22store%2Freadable%22%7D%7D\" data-component=\"EditorImageGallery\">\n<picture loading=\"lazy\" width=\"1136\" height=\"800\" alt=\"secvente filmari Alexandra 04 FOTO Diana Angelson jpeg\"><source type=\"image\/webp\"  media=\"(min-width: 1136px)\"><source type=\"image\/webp\"  media=\"(min-width: 800px)\"><source type=\"image\/webp\"  media=\"(min-width: 500px)\"><source type=\"image\/jpeg\"  media=\"(min-width: 1136px)\"><source type=\"image\/jpeg\"  media=\"(min-width: 800px)\"><source type=\"image\/jpeg\"  media=\"(min-width: 500px)\"><img decoding=\"async\" src=\"https:\/\/cdn.adh.reperio.news\/image-f\/f68999cb-d333-4763-8385-399f526ae48e\/index.jpeg?p=a%3D1%26co%3D1.05%26w%3D500%26h%3D350%26r%3Dcontain%26f%3Dwebp\" alt=\"secvente filmari Alexandra 04 FOTO Diana Angelson jpeg\" width=\"1136\" height=\"800\" loading=\"lazy\"><\/picture>\n<p><span>Imaginea 1\/6:<\/span><br \/>\n                secvente filmari Alexandra 04 FOTO Diana Angelson jpeg<\/p>\n<\/div>\n<p>Pentru Diana, scena cel<br \/>\nmai greu de filmat a fost cea \u00een care, spre final, operatoarea<br \/>\nascult\u0103 \u00eenregistrarea apelului Alexandrei la 112.\n<\/p>\n<p><i>\u201eAsta e scena cea mai<br \/>\nemo\u021bionant\u0103, c\u00e2nd ea st\u0103 \u0219i ascult\u0103 acea \u00eenregistrare. \u0218i<br \/>\nAlexandra se vede a\u0219a pe c\u00e2mp \u0219i se aude c\u00e2ntecul \u0103la superb al<br \/>\nei \u0219i ea pleac\u0103 pe dig&#8230; \u0218i noi am filmat la dig.  \u0218i o vezi pe<br \/>\nAlexandra pe dig \u0219i spune \u201eLa revedere\u201d\u201d<\/i>, mai spune regizoarea<br \/>\nfilmului.<\/p>\n<p>Trebuie spus c\u0103<br \/>\n\u201eAlexandra\u201d a fost filmat \u00een mai pu\u021bin de trei s\u0103pt\u0103m\u00e2ni:<br \/>\n\u201e<i>Lucram \u00een fiecare zi de la 6 diminea\u021ba p\u00e2n\u0103 la 1 noaptea \u0219i<br \/>\nle puneam \u00een fiecare diminea\u021b\u0103 membrilor echipei de filmare<br \/>\n\u00eenregistrarea apelului dat de Alexandra la 112. Toate scenele au<br \/>\nfost impresionante\u201d. <\/i>\n<\/p>\n<p>Diana Angelson a rezumat<br \/>\n\u00een c\u00e2teva fraze mesajul filmului: <i>\u201eFilmul \u201eAlexandra\u201d este<br \/>\ndespre cum am putea noi s\u0103 fim din nou ca rom\u00e2ni \u0219i despre c\u00e2t\u0103<br \/>\niubire am fi putut da. Dar mai este o \u0219ans\u0103 s\u0103 ne aducem aminte.<br \/>\n\u0218i atunci vom putea da mai mult\u0103 iubire\u201d.<\/i><\/p>\n<p>Regizoarea filmului a<br \/>\n\u021binut s\u0103 sublineze colaborarea foarte bun\u0103 pe care a avut-o cu<br \/>\ndirectorul de imagine \u0219i editorul Marius Neac\u0219u.\n<\/p>\n<p><i>\u201eDe\u0219i numele meu apare<br \/>\npeste tot, Marius Neac\u0219u este motorul \u0219i persoana datorit\u0103 c\u0103reia<br \/>\ns-a f\u0103cut filmul pentru c\u0103 rolul lui de director de imagine, dar \u0219i<br \/>\ns\u0103 g\u00e2ndeasc\u0103 fiecare scen\u0103, a fost instrumental. Plus c\u0103 m-a<br \/>\najutat enorm s\u0103 \u00eemi deschid\u0103 ochii pe anumite scene sau s\u0103<br \/>\ng\u00e2ndeasc\u0103 anumite scene. A fost o simbioz\u0103 perfect\u0103 p\u00e2n\u0103 la<br \/>\nurm\u0103. El a venit \u0219i cu mai multe idei fenomenele de montaj, idei pe<br \/>\ncare \u00een scenariu nu le aveam\u201d<\/i>, m\u0103rturise\u0219te Diana Angelson<br \/>\nBusuioc.<\/p>\n<h2>Un film despre<br \/>\nsacrificiu de sine, curaj, demnitate \u0219i credin\u021b\u0103<\/h2>\n<p><i>\u201eSunt teribile<br \/>\n\u00eenregistr\u0103rile conversa\u021biilor dintre Alexandra \u0219i cei de la 112.<br \/>\nFilmul este despre sacrificiu de sine, curaj, demnitate \u0219i credin\u021b\u0103.<br \/>\n\u00cen prima zi de filmare pe care am f\u0103cut-o m-am dus la Caracal pe<br \/>\nacel dig despre care era vorba \u00een convorbirea cu operatoarea de la<br \/>\n112. Am fost acolo \u0219i am filmat cu o dron\u0103. Acolo e o secven\u021b\u0103<br \/>\nfoarte frumoas\u0103, este la finalul filmului. \u0218i de asemenea poate s\u0103<br \/>\nfie o secven\u021b\u0103 emo\u021bional\u0103 foarte puternic\u0103. G\u00e2nde\u0219te-te c\u0103 a<br \/>\neste probabil ultima amintire pe care o Alexandra o spune \u0219i pe care<br \/>\no are \u00een acea convorbire. Iar femeia de la 112 \u0219i poli\u021bistul o<br \/>\n\u00eentreab\u0103: \u201e\u0218i a\u021bi trecut de dig?\u201d Am c\u0103utat acel dig pe<br \/>\nGoogle Maps\u201d<\/i>, poveste\u0219te Marius Neac\u0219u, directorul de imagine al<br \/>\nfilmului \u201eAlexandra\u201d. <\/p>\n<p>Acesta mai spune c\u0103 <i>\u201ela fiecare<br \/>\nmoment al filmului l-am sim\u021bit pe Dumnezeu deasupra noastr\u0103 pentru<br \/>\nc\u0103  am filmat \u00een condi\u021biile \u00een care s-a filmat, \u00een timpul care<br \/>\nl-au filmat \u0219i toate au mers au fost cu interven\u021bie divin\u0103. Am<br \/>\nfilmat \u0219i la un cimitir, era duminic\u0103 \u0219i noi filmam acolo, iar<br \/>\noamenii veneau \u0219i se rugau la cimitir. A fost o alt\u0103 secven\u021b\u0103<br \/>\nemo\u021bionant\u0103\u201d<\/i>. <\/p>\n<p>Marius Neac\u0219u a dezv\u0103luit \u0219i ce l-a revoltat<br \/>\ncel mai mult legat de <a href=\"https:\/\/adevarul.ro\/stiri-locale\/slatina\/crimele-de-la-caracal-judecatoarea-este-2077683.html\">cazul de la Caracal<\/a>, cel care a inspirat filmul<br \/>\nAlexandra.<\/p>\n<p><i>\u201eEste revolt\u0103tor modul<br \/>\n\u00een care cei de la 112 i-au vorbit Alexandrei, cum po\u021bi s\u0103 ai o<br \/>\nasemenea conversa\u021bie cu cu un copil r\u0103pit \u0219i s\u0103 \u00eentrebi \u201eUnde<br \/>\ne\u0219ti?\u201d, dac\u0103 tu nu \u0219tii unde?. Asta este revolt\u0103tor, ca \u0219i<br \/>\nfaptul c\u0103 echipajele au ajuns dup\u0103 mai multe zile\u201d<\/i>, spune Marius<br \/>\nNeac\u0219u.\n<\/p>\n<p>Filmul \u201eAlexandra\u201d<br \/>\neste distribuit de Cinemagix.<\/p>\n<div data-props=\"%7B%22data%22%3A%7B%22caption%22%3A%22%22%2C%22embed%22%3A%22https%3A%2F%2Fwww.youtube.com%2Fembed%2F0ulpegX5Qak%22%2C%22height%22%3A320%2C%22service%22%3A%22youtube%22%2C%22source%22%3A%22https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3D0ulpegX5Qak%22%2C%22width%22%3A580%7D%2C%22id%22%3A%22ZLbHQS7VLE%22%2C%22type%22%3A%22embed%22%2C%22lines%22%3A10%2C%22linesAbove%22%3A223%2C%22index%22%3A33%2C%22paragraphsAbove%22%3A28%2C%22percentage%22%3A1%2C%22linesBellow%22%3A0%7D\" data-context=\"%7B%22parentBlockColumnCount%22%3A%7B%22value%22%3A0%2C%22type%22%3A%22store%2Freadable%22%7D%2C%22parentBlockBackgroundColor%22%3A%7B%22type%22%3A%22store%2Freadable%22%7D%7D\" data-component=\"EditorEmbedViewDefault\">\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/0ulpegX5Qak\" width=\"580\" allowfullscreen title=\"embed media\" loading=\"lazy\"><\/iframe><\/p>\n<\/div><\/div>\n<p><a href=\"https:\/\/adevarul.ro\/showbiz\/film\/primul-film-inspirat-de-cazul-crimelor-de-la-2431326.html\" class=\"button purchase\" rel=\"nofollow noopener\" target=\"_blank\">Read More<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>De la \u00eenceputul lunii aprilie, \u00een cinematografele din Rom\u00e2nia poate fi vizionat \u201eAlexandra\u201d, film bazat \u00een parte, pe cazul real al Alexandrei M\u0103ce\u0219anu, feti\u021ba de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3101,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[6],"tags":[],"class_list":["post-3100","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-popular"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/info-eforie.ro\/index.php\/wp-json\/wp\/v2\/posts\/3100","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/info-eforie.ro\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/info-eforie.ro\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/info-eforie.ro\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/info-eforie.ro\/index.php\/wp-json\/wp\/v2\/comments?post=3100"}],"version-history":[{"count":0,"href":"https:\/\/info-eforie.ro\/index.php\/wp-json\/wp\/v2\/posts\/3100\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/info-eforie.ro\/index.php\/wp-json\/wp\/v2\/media\/3101"}],"wp:attachment":[{"href":"https:\/\/info-eforie.ro\/index.php\/wp-json\/wp\/v2\/media?parent=3100"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/info-eforie.ro\/index.php\/wp-json\/wp\/v2\/categories?post=3100"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/info-eforie.ro\/index.php\/wp-json\/wp\/v2\/tags?post=3100"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}